

Even with the evolution of modern computer graphics
modeling and rendering techniques, there are still many situations that
call for the use of Miniatures in the execution of Visual Effects. One of
my favorite sayings is: "If you can get it in camera, then
get it in camera." That's the first and best reason to use
miniatures. Build it, light it and shoot it....and you're done! Unless you
have to composite in a bunch of other stuff (such as Live Action, Matte
Paintings, CGI, etc.)
There is a level of sophistication and detail that is still found only by using miniature construction, painting and photographic lighting techniques. The ability to accurately match lighting to an existing background is another good reason to use miniatures. And last, but not least, pyro-technical issues are a big reason to use miniatures. If you have to blow something up, it's still a lot easier and better to do it in miniature than in the computer.

I have been shooting miniatures for more than 14
years now and understand the 'dos and don'ts' when photographing them. From
aircraft and space ships to intensely complex architectural structures,
this extra level of detail must be properly captured on film in order
to truly suspend disbelief. The choice of scale, camera speed, lenses and
lighting are all crucial to the success of a miniature effects shot. Not
to mention the choice of miniature fabricators. I maintain excellent working
relationships with the best miniature shops in Southern California, so you
can always count on great miniature effects. Not the cheapest...only the
best.....
Image #1: From the Motion Picture "Speed" - This was a fun (yet gruelling) miniature shoot.....crashing trains! The train miniatures were built and staged by Sessums Engineering. Produced and Photographed by Sony Pictures Imageworks.
Images #2 ? 3: From the Motion Picture "Batman Forever" - It was on Batman Forever that I earned the nickname "The Element Man." Would you believe sixty four film elements to create this Live Action/Miniature Composite? I know the producer didn't......A 1/24th scale miniature was built and staged by Mike Joyce's crew. Motion Control was used in the photography of the miniature for ....all the right reasons. We had lots of lasers, we had UV, we had over 400 practical lights, we used projections and some passes had 32 second exposures in a room full of smoke! Aaaaaahhhh! Film scans and amazing composites by CIS.
Image #4: From the
Dodge TV Commercial "Transport"
- The US Air Force wouldn't
loan out a C5 cargo jet for this commercial, so BBDO (the advertising agency
involved) turned to ......ME! Background plates were photographed at Mojave
Airport (yes, the desert). A 1/36th scale miniature and a 1/8th scale nose
section (not pictured) were built and staged by Grant McCune Designs. Motion Control was used in the photography of the miniature
for depth of field, repeatability and choreographic reasons. Pin Registered
Film Transfers and amazing composites by CIS.